JAPANESE
JAPANESE
JAPANESE
JAPANESE
JAPANESE
LETTERFORMS
LETTERFORMS
LETTERFORMS
LETTERFORMS
LETTERFORMS
“(…) Again, it is a great comfort to have expressed one's feelings in a letter even though one knows it cannot yet have arrived. If letters did not exist, what dark depressions would come over one! When one has been worrying about something and wants to tell a certain person about it, what a relief it is to put it all down in a letter! Still greater is one's joy when a reply arrives. At that moment a letter really seems like an elixir of life.” ― Sei Shonagon, The Pillow Book
“(…) Again, it is a great comfort to have expressed one's feelings in a letter even though one knows it cannot yet have arrived. If letters did not exist, what dark depressions would come over one! When one has been worrying about something and wants to tell a certain person about it, what a relief it is to put it all down in a letter! Still greater is one's joy when a reply arrives. At that moment a letter really seems like an elixir of life.” ― Sei Shonagon, The Pillow Book
“(…) Again, it is a great comfort to have expressed one's feelings in a letter even though one knows it cannot yet have arrived. If letters did not exist, what dark depressions would come over one! When one has been worrying about something and wants to tell a certain person about it, what a relief it is to put it all down in a letter! Still greater is one's joy when a reply arrives. At that moment a letter really seems like an elixir of life.” ― Sei Shonagon, The Pillow Book
“(…) Again, it is a great comfort to have expressed one's feelings in a letter even though one knows it cannot yet have arrived. If letters did not exist, what dark depressions would come over one! When one has been worrying about something and wants to tell a certain person about it, what a relief it is to put it all down in a letter! Still greater is one's joy when a reply arrives. At that moment a letter really seems like an elixir of life.” ― Sei Shonagon, The Pillow Book
“(…) Again, it is a great comfort to have expressed one's feelings in a letter even though one knows it cannot yet have arrived. If letters did not exist, what dark depressions would come over one! When one has been worrying about something and wants to tell a certain person about it, what a relief it is to put it all down in a letter! Still greater is one's joy when a reply arrives. At that moment a letter really seems like an elixir of life.” ― Sei Shonagon, The Pillow Book
a meeting with
a meeting with
a meeting with
a meeting with
a meeting with
calligraphy
calligraphy
calligraphy
calligraphy
calligraphy
To me, Japanese lettering is a form of meditation. You align your heart, mind, and soul together, so just like ‘kokoro’ they become one.
To me, Japanese lettering is a form of meditation. You align your heart, mind, and soul together, so just like ‘kokoro’ they become one.
To me, Japanese lettering is a form of meditation. You align your heart, mind, and soul together, so just like ‘kokoro’ they become one.
To me, Japanese lettering is a form of meditation. You align your heart, mind, and soul together, so just like ‘kokoro’ they become one.
To me, Japanese lettering is a form of meditation. You align your heart, mind, and soul together, so just like ‘kokoro’ they become one.
Shodo is a dance of the spirit expressed in body motion. Is art wrapped in a moment, that won’t be repeated. It requires from you to be fully present and be open to unknown.
Shodo is a dance of the spirit expressed in body motion. Is art wrapped in a moment, that won’t be repeated. It requires from you to be fully present and be open to unknown.
Shodo is a dance of the spirit expressed in body motion. Is art wrapped in a moment, that won’t be repeated. It requires from you to be fully present and be open to unknown.
Shodo is a dance of the spirit expressed in body motion. Is art wrapped in a moment, that won’t be repeated. It requires from you to be fully present and be open to unknown.
Shodo is a dance of the spirit expressed in body motion. Is art wrapped in a moment, that won’t be repeated. It requires from you to be fully present and be open to unknown.
“As soon as you accept the accidental effects, they are no longer accidents. They are necessity the part of yourself that you could not expect or design beforehand. Thus the realm of your creativity grows wider.” ― Kazuaki Tanahashi
“As soon as you accept the accidental effects, they are no longer accidents. They are necessity the part of yourself that you could not expect or design beforehand. Thus the realm of your creativity grows wider.” ― Kazuaki Tanahashi
“As soon as you accept the accidental effects, they are no longer accidents. They are necessity the part of yourself that you could not expect or design beforehand. Thus the realm of your creativity grows wider.” ― Kazuaki Tanahashi
“As soon as you accept the accidental effects, they are no longer accidents. They are necessity the part of yourself that you could not expect or design beforehand. Thus the realm of your creativity grows wider.” ― Kazuaki Tanahashi
“As soon as you accept the accidental effects, they are no longer accidents. They are necessity the part of yourself that you could not expect or design beforehand. Thus the realm of your creativity grows wider.” ― Kazuaki Tanahashi
Shodo has become to me a school of life, not only because of practicing Zen in writing but because just like learning how to control the movement of the brush, you simultaneously take the full control of the movement of your own self, practicing inner peace and patience at the same time.
Shodo has become to me a school of life, not only because of practicing Zen in writing but because just like learning how to control the movement of the brush, you simultaneously take the full control of the movement of your own self, practicing inner peace and patience at the same time.
Shodo has become to me a school of life, not only because of practicing Zen in writing but because just like learning how to control the movement of the brush, you simultaneously take the full control of the movement of your own self, practicing inner peace and patience at the same time.
Shodo has become to me a school of life, not only because of practicing Zen in writing but because just like learning how to control the movement of the brush, you simultaneously take the full control of the movement of your own self, practicing inner peace and patience at the same time.
Shodo has become to me a school of life, not only because of practicing Zen in writing but because just like learning how to control the movement of the brush, you simultaneously take the full control of the movement of your own self, practicing inner peace and patience at the same time.
It has built in me a better understanding of the culture with different vibration in mind. In my design process, I look into traditional Japanese aesthetics. Thank to shodo I constantly practice contrast, composition, and self-expression in visual language.
It has built in me a better understanding of the culture with different vibration in mind. In my design process, I look into traditional Japanese aesthetics. Thank to shodo I constantly practice contrast, composition, and self-expression in visual language.
It has built in me a better understanding of the culture with different vibration in mind. In my design process, I look into traditional Japanese aesthetics. Thank to shodo I constantly practice contrast, composition, and self-expression in visual language.
It has built in me a better understanding of the culture with different vibration in mind. In my design process, I look into traditional Japanese aesthetics. Thank to shodo I constantly practice contrast, composition, and self-expression in visual language.
It has built in me a better understanding of the culture with different vibration in mind. In my design process, I look into traditional Japanese aesthetics. Thank to shodo I constantly practice contrast, composition, and self-expression in visual language.
Student of Juju Kurihara, Sosekido school. Frequently exhibiting works in Tokyo Metropolitan Musem, Japan, and Atelier für Photographie, Berlin, Germany.
Student of Juju Kurihara, Sosekido school. Frequently exhibiting works in Tokyo Metropolitan Musem, Japan, and Atelier für Photographie, Berlin, Germany.
Student of Juju Kurihara, Sosekido school. Frequently exhibiting works in Tokyo Metropolitan Musem, Japan, and Atelier für Photographie, Berlin, Germany.
Student of Juju Kurihara, Sosekido school. Frequently exhibiting works in Tokyo Metropolitan Musem, Japan, and Atelier für Photographie, Berlin, Germany.
Student of Juju Kurihara, Sosekido school. Frequently exhibiting works in Tokyo Metropolitan Musem, Japan, and Atelier für Photographie, Berlin, Germany.
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© 2024 mauthewild.com | All rights reserved.
© 2024 mauthewild.com | All rights reserved.
© 2024 mauthewild.com | All rights reserved.
© 2024 mauthewild.com | All rights reserved.